Bathe in the awesomeness of these YA authors? Don’t mind if I do! |
From left:
Gennifer Albin, author of the Crewel trilogy
Leigh Bardugo, author of the Grisha trilogy
Jessica Brody, author of the Unremembered trilogy
Ann Aguirre, author of the Razorland trilogy
During the Q&A, one of the attendees asked this awesome
question:
What makes your book(s)
fierce?
Here are the answers:
Leigh Bardugo’s Grisha trilogy is fierce in SETTING
Ravka is a tough land to live in. It’s a country almost on
the brink of collapse and it’s been in an economic stranglehold for years.
My interpretation: In the Grisha trilogy, the setting is a
character in itself. The unrelenting attributes of Ravka, the Unsea, the
Permafrost and Os Alta all play a part in the story. Living in Ravka requires
one to be tough, adaptable and ultimately: fierce.
Jessica Brody’s Unremembered
is fierce in PLOT
There is a really big, fierce plot twist at the end of Unremembered. Throughout the book,
there are clues leading up to this twist.
My interpretation: In Unremembered, the plot
leads to a climatic twist. Even though clues are mingled throughout the book that foreshadow this twist, it is ultimately meant to surprise the reader in a
fierce, unputdownable way.
Ann Aguirre’s Razorland trilogy is fierce in CHARACTER
There’s a lot of killing with knives and guns in this
trilogy, and also the characters are fierce in spirit and attitude.
My interpretation: In the Razorland trilogy, the characters
are living on the brink of apocalypse and struggling against the
once mindless but now cunning Freaks. To survive, the characters have to be
fierce in attitude and intelligence.
Gennifer Albin’s Crewel trilogy is fierce in CONCEPT
The main character, Adelice, manipulates the fabric of
reality.
My interpretation: In the Crewel trilogy, the concept that
girls can weave time and matter on looms is an incredible yet complex one.
Adelice can manipulate time and matter without a loom which makes her unique
and coveted yet it also puts her in danger. How fierce is that? Very.
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